My practice investigates the dynamics of social conditioning and the fabrications underpinning systems of communication, exploring the limits of perception and the contradictions of an image-based society oscillating between hyper-visibility and the erasure of bodies.

I question what is commonly perceived as “truth,” prompting a reflection on the meaning—or meaninglessness—of human existence.

My works take shape through a layered process: digitally manipulated photographs become the basis for painted compositions on polythene sheets, which are then sealed under epoxy resin, encasing the human figures within.

Their movements appear constrained and rigid, as if imprisoned.

This sense of powerlessness is further intensified by my deliberate bending of the resin slabs.